Product Description This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach. The first part of the book establishes a basic understanding of the grounding of film analysis in the various elements of film construction, mise en scÃ¨ne, cinematography, editing, sound and performance, developing the knowledge students have of movies whilst challenging them to consider new films and ideas. Key theoretical approaches around narrative, genre, representation, spectatorship and authorship are introduced in Part II, before we consider specific national cinemas from around the world in partsÂ III and IV. In Part V, the book assesses a range of slightly different film experiences, looking at silent cinema, experimental films and documentaries; before, finally, PartÂ VI shifts to evaluating creative approaches to studentsâ own filmmaking. Specifically designed to be user-friendly, the book has an easy-to-follow design, includes more thanÂ 60 colour images and is packed with features such as: case studies on a range of films and filmmakers; activities on such films as Sunrise: A Song of Two HumansÂ (Murnau, 1927, USA), Vertigo (Hitchcock, 1958, USA), Do the Right Thing (Lee, 1989, USA), We Need to Talk About Kevin (Ramsay, 2011, UK) andÂ Stories We Tell (Polley, 2012, Canada); definitions of key terms; and suggestions for further reading and website resources. Matched to the current exam specification, A Level Film Studies: The Essential Introduction covers everything students need to study as part of the course. The book is supported by a companion website at www.alevelfilmstudies.co.uk, offering further advice and activities. About the Author Sarah Casey Benyahia is Head of Film Studies at Colchester Sixth Form College. She is the author of Crime (2011), 'Between Place and Non-Place: Disrupting the Categorizations of the Past in Ida' in S. Allen and K. MÃ¸llegaard (eds), Narratives of Place in Literature and Film (2019), and co-author of Doing Film Studies (2012). John White is the author of Westerns (2011), European Art Cinema (2017), and The Contemporary Western: An American Genre Post-9/11 (2019). He is co-editor of The Routledge Encyclopedia of Films (2014). Freddie Gaffney is a lecturer, screenwriter, and filmmaker. He is co-author of AS Film Studies: The Essential Introduction, 2nd ednÂ (2008) and On Screenwriting (2009).